In the life of any actor or actress, there is inevitably a time when they will be eligible to act in a Tom Stoppard play. He has written a lot, and they are revived often, and there are so many characters of different ages that it was more likely I'd end up in something of his than that I wouldn't.
It's amazing when I do a gig how many people of different ages come up to me afterwards and chat to me about songs. The emotions I feel are what any person can relate to. Sometimes I'm just a narrator.
I don't want to fit in. I want to make music that can reach out to people of all different ages and backgrounds and beliefs and turn us into one, groovin, 'Goodtimenation.'
I kind of just write what I like to write. I'm thankful that readers of different ages seem to connect to my stories. I don't consciously think about age demographics when I'm working on my comics.
The alternate domination of one faction over another, sharpened by the spirit of revenge natural to party dissension, which in different ages and countries has perpetrated the most horrid enormities, is itself a frightful despotism. But this leads at length to a more formal and permanent despotism.
The thing about talent is that it comes at different ages, sometimes at a very early age. That's when I find it to be the most challenging.
I think my husband and dad were both very happy that I had a baby boy, to get some testosterone in the family, because there are a lot of girls. It's not a perfect family, but it's a strong family. The nice thing is how the different ages interact.
We write songs that hit different people at different ages where they live.
But we're all so different, we're different ages; we're not vying for the same roles. There's no competition, there's really kind of a sisterhood, on and off the set, you know?
Normally, I love to go to the movies and when I see a character portrayed by different actors at different ages, it kind of pops a little bit for me. It brings me out of the movie experience. Now we have the technology to cure that.
